Look out, Moff Gideon, you’re about to get hit with a blast of Star Wars nostalgia.
Photograph: Courtesy of Disney+
FYI: This piece will likely be rife with Mandalorian season-two finale spoilers.
Within the eighth and last episode of The Mandalorian’s second season, as Mando and his coterie of Imperial Cruiser intruders battle Moff Gideon and try and rescue Grogu, a starfighter instantly seems.
“Nice, one X-wing,” quips Cara Dune quips. “We’re saved.”
Really, they’re saved. When the pilot of stated X-wing disembarks, he proceeds to lightsaber his means via each robo-protector in Moff Gideon’s military. His face stays shrouded below a hood, defending his identification, however the truth that Grogu is so energized by this determine’s presence strongly hints at who it is perhaps. That’s confirmed when he reaches Mando and Grogu, removes his hood, and divulges himself to be Luke Skywalker, trying as younger, vibrant, and Power-filled as he did in Return of the Jedi.
In the event you’re a Star Wars fan and your coronary heart didn’t develop three sizes, no less than, throughout this second, test your pulse. The concept Luke needs to be the one to rescue Grogu, making Child Yoda the coed of the Jedi who as soon as was the coed of Precise Yoda, is such a stunning thought and one that ought to have been apparent — on reflection, of course this was going to occur! — but by some means wasn’t, and due to this fact landed as a poignant shock.
The return of this explicit Jedi is an ideal instance of what Star Wars, as a franchise, usually tries to do and solely often succeeds at: marrying a way of nostalgia with the telling of compelling new tales. In its movies, it has had combined success with this. (I contend that it did this precisely proper in The Power Awakens, and in case you’d prefer to battle me on this, you could find me on Twitter.) However in The Mandalorian, significantly this season, it has performed this very nicely, leaning into preexisting characters and mythology at applicable, well-chosen moments.
The reintroduction of Boba Fett in The Mandalorian, first in “The Marshal,” and extra absolutely in “The Tragedy,” stayed true to the lore the followers have all the time constructed across the OG bounty hunter — that regardless of being a foul man, he’s a complete badass — whereas including extra dimension to his character and backstory than he ever had within the unique trilogy. The truth that he was performed by Temuera Morrison, who performed Jango Fett, the “father” from whom Boba was cloned, within the Star Wars prequels was one other nod again to the historical past of this huge sci-fi saga.
Given the finale’s post-credits scene, the place Boba and Fennec Shand pay a less-than-friendly go to to Bib Fortuna, nonetheless below the extraordinarily flawed impression that Boba died in a Sarlacc pit, we’re going to be studying loads extra about him. A closing teaser notes that The E-book of Boba Fett will likely be coming to Disney+ in December 2021, a reminder that, as great as these hat ideas again to the outdated days of Star Wars are, additionally they play proper into the Disney technique of strip-mining beloved popular culture from our childhoods for the sake of extra income.
Even when the company savviness beneath The Mandalorian’s actions is fairly apparent, remarkably, that doesn’t render its callbacks and heartfelt touches any much less efficient. Grogu has been the breakout star of The Mandalorian for the reason that very starting, exactly as a result of he was each a callback and one thing recent. The truth that he was instantly dubbed Child Yoda was a testomony to that. And sure, in fact, it helped that Grogu is insanely lovable and imminently GIF-able.
However as lovable as Grogu has been, the finale look of Luke Skywalker — performed by Mark Hamill and de-aged by CGI to look the best way Luke would have following the occasions of Episode VI — is well probably the most touching second in The Mandalorian thus far. That’s as a result of it brings this sequence, arguably probably the most universally appreciated mainstream Star Wars work for the reason that movies of the 1970s and early ’80s, full circle again to the place it began.
When Mando says goodbye to Grogu, a baby to whom he has successfully been a father, it’s an echo of Yoda’s deathbed farewell to Luke in Return of the Jedi, when Yoda confirmed that Darth Vader was the younger Skywalker’s father. When Luke picks up Grogu and leaves — accompanied by R2D2, as a result of your coronary heart wasn’t bursting sufficient — that imagery is a mirror of Luke and Yoda in The Empire Strikes Again. Whereas being educated on Dagobah, Yoda sat in Luke’s backpack, trying over his shoulder from behind him. As Luke leaves with Grogu, he cradles The Youngster on his chest as Grogu gazes over Luke’s shoulder from the opposite aspect at a teary-eyed Mando.
As soon as once more, Mando has eliminated his helmet on this last scene in order that Grogu can see his eyes and contact his face. (Pores and skin-on-skin contact: essential for infants even on The Mandalorian.) It additionally makes the scene way more significant as a result of we are able to see Pedro Pascal’s face and witness the depth of his emotions. As a lot because the attraction in all of the Star Wars tales is about motion, lightsaber battles, and pew! pew! gun fights — and there was loads of pew! pew! on this season finale — it’s additionally concerning the robust emotions these tales elicit after they affirm that the factor you really liked if you had been little continues to be one thing worthy of affection as an grownup. The Mandalorian confirmed that repeatedly in season two. Our helmets have been eliminated, and our eyes are slightly teary, due to that.
Replace: An earlier model of this piece incorrectly referred to Return of the Jedi as Episode III, when it’s in fact Episode VI. It has been corrected.